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Helen of Troy short story – illustrated

9 Dec

In 1300 BC  – a woman so beautiful existed, that she brought a civilization down with her beauty. It wasn’t only her cunning ways, or sleeping with the right men (although she was married to a a few kings); and it wasn’t even accusations of smuggling nuclear weapons of mass destruction or spying for the enemy (althought she’s done THAT) – that caused the furor. It was simply her promiscuity. Her name was Helen and she is still everywhere. The Greeks called her dreadful and delicious. Her cult, one of beauty has left us with an unattainable standard of beauty, so pure it caused war. Although mostly, it all had to do with how materialistic the Bronze Age society was.  There was no money, only object themselves had any tradable value (money was stamped out for the first time in the second half of seventh century BC, by the Lydians). Until the beginnings of capitalism as we know now, beauty carried inherent value within it – a pretty woman was worth an island. This story takes place in the cusp – before the Trojan War, but after Paris has judged her most beautiful, and stole her away from her Greek husband and the Buccaneers swarmed their ship in the seas.

Perhaps the story was lost because no one was there to remember and to retell it to the children, or maybe Paris buried the stone on which the story was drawn in their backyard. So Helen and Paris are on a boat sailing to Troy. They have been on the boat for three days now, their plan to reach the private coast of a Greek island, somewhat derailed by a storm. Paris, proud of his newly found uxorial bliss yet terrified of the fallout with the deities and Helen’s first husband (who was known as a fierce warrior), got drunk on mead last night. With the high sun of noon, he was just beginning to reconcile his mind to the time of day to that of the direction of the ship in the Polyphloisbic Sea.

Paris had a lot to drink and wasn’t yet completely sober, but the troubling thoughts remained – the ex – husband yet to deal with, who was left without Helen, his most prized possession – the most beautiful woman. As he thought about it more, the sun started to bake the back of his neck and the back of his shirt quickly became soaking wet. Added to the discomfort was the occasional stray salt water, which seemed to bite at the skin. Of coarse, Helen looked as beautiful as ever – no weather could dampen her looks, her shine rivaled the sun, thought Paris.

He was happy that Helen was his, a possession among other things: next to imported Ivory beads from Greece, amber from the Baltic, pottery from Crete, and foodstuffs from Lebanon, and wine from Greece! They ate well too: there was domestic cattle, salted game and fish; pomegranates, almonds, pine nuts, ostrich eggs and other delicacies only the ancient knew of and enjoyed.

But the happiness of the lovers was short lived on the boat. The sun was rising, the ship was sailing to their new home but Helen couldn’t shake a nagging feeling that something was amiss. And so as those things go, the nagging feeling became an action.  Helen was also worried that Paris married her to get closer to her father – Zeus, in order to align himself favorably with the imortals.

We don’t know exactly how it happened but during the previous’ night’s feast, when the moon was looming high above ship in quiet waters, Paris called Helen a fat bitch in front of his Troy buddies. The problem was that Helen refused to see the joke in it, which he clearly meant it as one, since she was the most beautiful, and he already gave her the apple, and why can’t she just accept that as that?

 

Helen glared back at Paris across the vessel, she clearly hasn’t forgotten the slight: “You know Paris, I am so sick of this…I certainly didn’t leave the luxury of Greece to be treated like this! And your guards keep hitting on me, although THAT’s really not their fault”.

Paris was speechless but not for long, and a long argument ensued. After all – he was the judge of the contest, he was superior in his thinking, warring and even writing prowlers. He fancied himself a bard and was even working on his greatest hits album for the next sacrificial season.  Most beautiful or not, he wanted to show Helen that he won’t be bullied in this relationship. The truth was that that is exactly what Paris setting himself up for, he was as cowardly as they came, a politician without real bite. He chose Helen and now he was carrying it all through, stuck with her on the boat and with a lot of people pissed of at his luck.

Just then, as they were both thinking their separate thoughts, a guard called them to their daily meal(in those days guards acted as many things to their prince – butlers, drinking buddies, warring partners, and even consolatory referees. They sat down to dinner; Paris helped himself to his second glass of wine of the day – should you be really drinking that? Asked Helen superiorly, as one would if one was judged more beautiful than the immortal goddess of beauty… Then just as she was angry at first, Helen burst into tears and ran into her chambers crying over Paris’ words. There a hand maiden already awaited her with a towel and a milk bath. Helen plucked herself in and continued crying…. this was simply terrible and all Paris’ fault. The expectation Helen had of luxury and renewed devotion seems as fragile as her own mindset. The slightly bipolar princess vowed to set the prince straight.

The next time Paris and Helen came onto the deck, the sun was at its Aegean sunset – and the deep green of the water reflected and blinded with pinks, oranges and yellows – spectacular view.  Clearly both Helen’s beauty and the seascape shared a weakness for the dramatic. Once again the spectacular view gave Helen a renewed belief that life could be perfect, but for a brief moment, she knew she still had work to do on Paris. She didn’t shave her head as an adolescent and grow it back out as a sign of transition into womanhood, only to lose it all on this stinking boat! Both Helen and Paris made jovial remarks about the fun festivities that awaited them upon the end of the journey, they vowed to sacrifice a thousand cows to Aphrodite – for a better life, but neither of them could quite fix the other in the way that would pass for perfect. They’ve only just met last Friday.

It was Helen who brought up the offensive F word first:“I can’t believe you called me FAT, when I have sacrificed everything for you!” Helen was clearly a bully, like a pit-bull with lipstick she attacked Paris. Helen smiled through her tears (which didn’t ruin her make-up) “I just can’t believe how STUPID men are, and how stupid you are in particular…. as a man” This was offensive for two reasons, because of syllogism of Paris being only a mortal, while Helen was at least partially divine and because she picked on his sore spot: Paris considered himself a god! This did it….It’s as if their fighting had a natural effect – the winds picked up the crashing waves drowned out most the words in their fighting. Only the really perceptive guard could hear how frustrated Paris soon grew. By midnight they moved their fight into their night chambers: but nothing seemed resolved or getting anywhere close to it: Paris poured himself another mead, while Helen was not giving up on her point: After all, she asked “ You judged me the most beautiful and this is ALL entirely your fault!” It was unclear if she meant the current situation of them being slightly lost at sea (despite Paris’s excellent navigational skills) , or the future foreshadowing of the Troy war, which would change the course of history forever ( and could probably be also traced back as the main cause of the ALL  geographical conflict today).

But Paris just couldn’t take it. Despite his lyrical inclination, and ability to fall in love with MOST beautiful women, he wasn’t the best at expressing his true feelings. He kept emotions inside, until raging, slamming doors and ripping out curtains, he climbed onto the deck of the boat and into the stormy sea. Helen watched him from the safety of the cabin as Paris, chugging his wine and grunting dove into the sea.

The rationality of that decision aside, Helen was petrified. Not because she lost another husband, but because she was worried that if Paris hurt himself, then her expanding waistline will be the least of her worries – as his guards would probably kill her. Without thinking, Helen jumped into the water after her beloved one…Paris awoke on the Rocky beaches of troy – what now constitutes Greece. Helen was gone, dissipated into her element of water, back with her family of gods and goddesses. Suddenly, without anyone to fight with or call fat, Paris felt very lonely.

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Saatchi’s Russia 2012

23 Nov

By Sergey Pakhomov

leonid Sokov 1987

oleg vassiliev 1990

vladimir nemukhin 1962
“Abstraction”

“Before the sunset”

“El Lissitsky’s poster Glastnostj”

“383 Sins” 2012

Introspection

17 Nov

Lately, I have been looking inside myself for answers. I found that i needed a break from change, a moment to myself. In order to stop the time and focus I made myself look at myself. But I found that made me very uncomfortable, so I began a series of Self Portraits.

The paintings are a quick, 30 minute self portraits, made with watercolor, ink, guache and acrylic. I found that the need for time and introspection always aligns itself with some lesson that is yet to be learned.

I’ve been enjoying the results immensely, and plan on making it a long series, to see what else comes out of these self portraits:

Inspiration!

1 Nov

After being so very much inspired by the various art at the Frieze Masters – I had to pour my impressions of London onto paper! The cobble-stone driveways, still lives, family i babysit for, and even a daily bouquet of flowers, it all inspired me like never before. Due to the constraints of the current one-room apartment, i couldn’t work in my usual oils, so I opted out for acrylic paint, colored ink and guache paint.

I used heavy watercolor paper, so that i could continue to work in layers.

Below are the results of my first full-month in wonderful London-town..

xoxo

Oprah mixed media 2012

Still life with Cat-mask, mixed media, 2012

“Is everything made of sperm?” watercolor and guache, 2012

“painting friends” mixed media, 2012

Speaking of Frieze Masters!

1 Nov

Here are some of the gems of the art fair, which i found to be topical and inspirational. Some things truly don’t go out of style: Jackie O by Andy Warhol is one of them! Not to mention four Alexander Calder sculptures, rotating slowly, like graceful dancers, to the sounds of mamba:

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Happy Prince at the Hayward Gallery

23 Sep

Today I visited the Southbank Centre Hayward gallery. The Show was titled “Art of Change new directions from china”, presenting the art from 1993 to present. The element of transformative, the grotesque and of change was felt. as intended by the curators and artists, the sense of the unruly universe was present.

According to the catalogue, “China is a country undergoing dramatic transformations, and contemporary Chinese art has been deeply affected by this”.And also the fact that the oppressive and conservative government forced the artists to focus on ‘creative process rather than finished product’. I thought that both were vividly present in the show. As for experiencing the art itself, I definitely felt at times creeped out, challenged, but transformed as the end result of the visit.

My favorite piece was by Yingmei Duan b. 1969. Although born in China, the artist studied with Marina Abramovic and she is based out of Germany. Duan’s first piece is titled ‘Sleep’. As you walk into the first gallery you see what looks like a person sleeping. It becomes clearer what the purpose of sleep is in her work, when you see the performance piece in the adjacently connected gallery.

The performance piece is called “Happy Yingmei” based on Oscar Wilde’s “The Happy Prince” story. The room, which is entered via a child-sized door in the corner of a bigger gallery, is transformed into a moody forest through trees and sparse lighting. There is a small path in the middle of the room, which leads to a tree stump, some books and what looks like a small bag. It’s almost as if while the real self is left sleeping, and the subconscious self is set free via dream state. And this is what the dream self is up to: singing to people, asking them questions, and entertaining them with casual (yet spot on) prophecies. As we enter the room, by bowing low, we see the artist engage with other visitors in a sing-song style of interactions. The room has a unique energy, and the artist herself confronts you with her smiling, yet weary face ( i tried to capture this as best to my ability in quick drawings):

Then as Duan handled out pieces of paper ( not indiscriminately i might add, she turned away a few people from her written requests), she proceeded to ask people to act them out or answer them. It was interesting to see the tables turned, and the visitors having to ‘perform’ infront of each other and the artist. There was a feeling of unpredictability, like everyone including the artist are out of control. The artists asks me  I would do if i had a million dollars, which is interesting because i was just thinking about that yesterday. My fumbled response didn’t matter, the show must go on!

My piece of paper looked like this:

Real life paintings in interiors: a study in Boston and a bedroom in New York

18 Sep

Emily’s study

Erica’s bedroom

Cars and airplanes

7 Sep

Rirkrit Tiravanija (born in 1961) has created the piece “Untitled 2010” (all the days on the autobahn). Tiravanja and Anselm Kiefer are both using large vehicles to say something about the society. Tiravanja’s piece is a car he used to go to galleries, museums, and meetings with curators and his art dealers. Under one of the tires is a ceramic paper cup with “is there all there is” written on it. 

Anselm Kiefer has created a sculpture by utilizing what looks like a military plane. His work is dreary and moody, and critiques the horrors and trauma that inevitably follows war.

Kiefer painting

another haunting painting

Lee Bontecou, Lucio Fontana, Yves Klein

30 Aug

Stahl, Leinwand, Pergament und Kunststoff

1931 Providence, RI, “untitled” 1960:

 

 

Cy Twombly likes Poussin:

28 Aug

Empire of Flora from 1961 by Cy Twombly.

Twombly is quoted in the wall text of the exhibit: “I Would have liked to have been Poussin, if i’d had a choice, in another time”. He said this pretty late in his long and fruitful career: 2008 – just two years before he passed. He developed a real work relationship with this Classical Baroque artist. Themes of metamorphosis, heroism, and allegory prevail in both artist’s work. Also something in the way he creates shapes through chiaroscuro, and movement through line really reminds me of Poussin’s prints and paintings. To me, the “abstract” art of Cy Twombly looks less and less abstract, but rather like a novel, it can be read to accrue meaning.

detail, twombly

i feel like up close and from far away these paintings take on more, greater meaning: beyond just painting

Baroque print